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Within this song "Miss America", listeners are placed in a lodging near JFK airfield, where Jennifer Walton learns a devastating update of her father's illness discovery. The UK-raised performer was touring the US for the first time, drumming with group Kero Kero Bonito, when suddenly grief takes over, coloring all in grey. Unsteady piano and soft strings accompany dark reports from the tour van: "Cattle farm and broke down shack / Strip-mall, drug deal, panic attacks."

Her soft singing come across with a flat manner, yet this album's intensity arises from the sharp writing—mixing fiction, folksy sayings, and blunt diary entries—coupled with surprising rich textures. Few songs recently possess stronger storytelling flair than "Shelly", which describes the killing of a deer and spirals into a petrol-laden confrontation, evoking literary works lit by flickers of warped cello. Tense, subdued verses featuring echoing, plucked strings transition to grand refrains, and Walton's vocals digitally manipulated to become a presence omniscient and menacing.

Listeners might previously know the artist as an electronic producer, DJ, and contributor in groups like Caroline. The album's sonic turns reflect this varied career. The first track "Sometimes" bursts in flourish, like a string band taken by surprise, whereas "Born Again Backwards" radically increases the BPM via an intense, stunning, looping drum fill. Dense layers of audio, skillfully produced with a longtime partner, seem both rough and spiritual, and Walton's morbid, magical thinking peak on highlight "Lambs", which momentarily becomes a twirling jig. "May your life never end in death," she bargains, with heart-aching gallows humor.